| ACKNOWLEDGEMENTS | 第1-8页 |
| ABSTRACT | 第8-9页 |
| 摘要 | 第9-12页 |
| CHAPTER ONE Introduction | 第12-20页 |
| ·A Brief Literature Review | 第12-16页 |
| ·A Clarification of the Term "Diabolic Imagery" | 第16-18页 |
| ·The Objectives of the Research | 第18-20页 |
| CHAPTER TWO A Review of the Definition and Function of Imagery | 第20-25页 |
| ·The Definition of Imagery | 第20-22页 |
| ·The Function of Imagery | 第22-25页 |
| CHAPTER THREE The Diabolic Imagery and the Dramatic Action | 第25-48页 |
| ·The Dramatic Action | 第26-28页 |
| ·The Effect of Iago's Diabolic Imagery on Brabantio | 第28-31页 |
| ·The Effect of Iago's Diabolic Imagery on Roderigo | 第31-33页 |
| ·The Effect of Iago's Diabolic Imagery on Othello | 第33-48页 |
| CHAPTER FOUR The Diabolic Imagery and Characterization | 第48-69页 |
| ·Iago Characterized as Poisoner | 第48-52页 |
| ·Iago Characterized as Hunter and Trapper | 第52-55页 |
| ·Iago Characterized as Destroyer | 第55-61页 |
| ·Iago the Destroyer of Faith in Love | 第55-58页 |
| ·Iago the Destroyer of Honesty | 第58-60页 |
| ·Iago the Destroyer of Harmony | 第60-61页 |
| ·Othello:Imaginative and Noble or Mean and Base | 第61-69页 |
| ·The Imaginative and Noble Othello | 第62-64页 |
| ·The Base and Diabolic Othello | 第64-67页 |
| ·Co-existence of Opposing Character in Othello | 第67-69页 |
| CHAPTER FIVE Conclusion | 第69-72页 |
| WORKS CITED | 第72-73页 |
