| Acknowledgements | 第1-5页 |
| Abstract (English) | 第5-8页 |
| Abstract (Chinese) | 第8-11页 |
| Chapter One Introduction | 第11-27页 |
| ·Heidegger —an Anti-traditional Thinker | 第12-18页 |
| ·Literature Review | 第18-22页 |
| ·The Content of This Thesis | 第22-27页 |
| Chapter Two The Traditional Views on Origins of Artworks | 第27-36页 |
| ·Art as an Imitation’s Imitation | 第27-29页 |
| ·Art as an Imitation of Life | 第29-31页 |
| ·Art as the Externally Sensual Presentation of Spirit | 第31-32页 |
| ·Art as the Genius’s Creation | 第32-33页 |
| ·Art as a Solution to the Problem of Culture | 第33-36页 |
| Chapter Three Thing, Thingness, Equipment, and Work of Art | 第36-44页 |
| ·Traditional Concepts of the Thing and the Work | 第36-39页 |
| ·Equipment and Work | 第39-41页 |
| ·Heidegger’s Thingness | 第41-44页 |
| Chapter Four Art as Setting-into-work of Truth | 第44-55页 |
| ·The Traditional Truth and Heidegger’s Truth | 第44-48页 |
| ·Artwork as Setting up a World and Setting forth the Earth | 第48-51页 |
| ·The Preservation of Artworks | 第51-55页 |
| Chapter Five The Poetized Origin of Art | 第55-61页 |
| ·The Nature of Art as Poetry | 第55-57页 |
| ·Heidegger’s Essence of Poetry | 第57-61页 |
| Chapter Six Conclusion | 第61-65页 |
| Bibliography | 第65-67页 |
