| Abstract | 第1-7页 |
| 内容提要 | 第7-8页 |
| Introduction | 第8-11页 |
| Chapter One Factors that Worked Together to Bring Forth Mrs Dalloway | 第11-18页 |
| Chapter Two Confrontation: The Dominant Theme of Mrs Dalloway | 第18-38页 |
| I. Confrontation between Individuals and Society | 第21-27页 |
| A. Clarissa Dalloway | 第21-24页 |
| B. Septimus Smith | 第24-25页 |
| C. Peter Walsh | 第25-26页 |
| D. Sally Seton | 第26-27页 |
| II. Confrontation between Different Social Classes | 第27-30页 |
| A. Miss Doris Kilman versus Mrs Dalloway | 第27-28页 |
| B. Septimus Smith versus the Psychiatrists | 第28-29页 |
| C. The Outcast versus the Powerful | 第29-30页 |
| III. Confrontation between Men and Women | 第30-38页 |
| A. Clarissa versus Peter and Richard | 第31-34页 |
| B. Male Characters versus Female Characters | 第34-38页 |
| Chapter Three Techniques that Virginia Woolf Adopted to Depict the Theme of Confrontation | 第38-57页 |
| I. Stream of Consciousness and the Tunnelling Process | 第38-41页 |
| II. The Moments of Being | 第41-43页 |
| III. The Adoption of Montage Technique | 第43-50页 |
| A. Big Ben | 第44-45页 |
| B. The Important Car | 第45页 |
| C. The Skywriting Plane | 第45-48页 |
| D. The Singing Female Vagrant | 第48-49页 |
| E. Montage through the Use of Language | 第49-50页 |
| IV. Echoes of Shakespeare’s Lines | 第50-52页 |
| V. Symbolism | 第52-57页 |
| A. The Illustration of Solitude | 第53-54页 |
| B. The Image of Water | 第54-55页 |
| C. The Old Lady in the Opposite Room | 第55-57页 |
| Conclusion | 第57-59页 |
| Works Cited | 第59页 |
