| Acknowledgements | 第1-5页 |
| Abstract | 第5-10页 |
| English Abstract | 第5-7页 |
| Chinese Abstract | 第7-10页 |
| Chapter 1 Introduction | 第10-13页 |
| Chapter 2 General Survey of Theories of Feminism and Feminist Film | 第13-18页 |
| ·Feminist theory | 第14-15页 |
| ·Feminist film theory | 第15-18页 |
| Chapter 3 Major Feminism in American Films | 第18-29页 |
| ·Psychoanalytic feminism in films | 第18-23页 |
| ·General ideas of psychoanalytic feminism | 第18-20页 |
| ·Psychoanalytic feminism in American films | 第20-23页 |
| ·Material feminism in films | 第23-25页 |
| ·Trend of material feminism | 第23-24页 |
| ·Material feminism in American films | 第24-25页 |
| ·Postmodern feminism in films | 第25-29页 |
| ·Basic concept of postmodern feminism | 第25-26页 |
| ·Postmodern feminism utilized in American films | 第26-29页 |
| Chapter 4 Main Feminism in Chinese Films | 第29-41页 |
| ·Background of Chinese women's status | 第29-31页 |
| ·In feudal society | 第29-30页 |
| ·At present times | 第30-31页 |
| ·Feminist films in China | 第31-41页 |
| ·Female images in feminist films | 第32-36页 |
| ·Women directors in feminist films | 第36-41页 |
| Chapter 5 Relationship Between American and Chinese Feminist Films | 第41-57页 |
| ·Similarities of female spectatorship | 第41-46页 |
| ·Female perspective | 第42-44页 |
| ·Female subjectivity | 第44-45页 |
| ·Female desire | 第45-46页 |
| ·Similarities of male spectatorship | 第46-49页 |
| ·Sex and gender | 第46-47页 |
| ·Masculinity | 第47-49页 |
| ·Cultural differences | 第49-57页 |
| ·General differences | 第49-51页 |
| ·Race and nationality | 第51-53页 |
| ·Lesbian criticism | 第53-57页 |
| Chapter 6 Conclusion | 第57-59页 |
| Works Cited | 第59-62页 |
