| Acknowledgements | 第1-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7-8页 |
| Introduction | 第8-14页 |
| Chapter 1. The feasibility of applying the theory "defamiliarization" to Lolita | 第14-29页 |
| ·An Introduction to the Notion "Defamiliarization" | 第14-19页 |
| ·the Definition of "Defamiliarization" | 第14-15页 |
| ·The Methods to Defamiliarize in Literature | 第15-19页 |
| ·Applying "defamiliarization" to Lolita | 第19-29页 |
| ·Formalist Criticism about Vladimir Nabokov's Writings | 第20-23页 |
| ·Novelty--the shared ideas between "defamiliarization" and Nabokov's view of art | 第23-29页 |
| Chapter 2. The Realization of Defamiliarization in Nabokov's Lolita | 第29-47页 |
| ·Parody: an Essential method to Defamiliarize the Theme of Lolita | 第29-40页 |
| ·Parody of Love Romance | 第30-33页 |
| ·Parody of Detective stories | 第33-36页 |
| ·Parody of the Prustian Theme on Time and Memory | 第36-39页 |
| ·Sub-conclusion | 第39-40页 |
| ·Poetic Language : a Most Effective Way to Defamiliarize in Lolita | 第40-47页 |
| ·Multilingualism | 第40-41页 |
| ·Baroque Language | 第41-43页 |
| ·Word Play | 第43-46页 |
| ·Sub-conclusion | 第46-47页 |
| Chapter 3. The Artistic Effect of the Realization of Defamiliarization in Lolita | 第47-61页 |
| ·Defamiliarization Refracting Nabokov's Unique View of Art and Aesthetics | 第47-52页 |
| ·Parody, a Key Word to Lolita | 第47-50页 |
| ·Poetic Language, a Highlight in Lolita | 第50-52页 |
| ·Defamiliarization Enabling Readers of Lolita to Acquire Artistic Perception | 第52-61页 |
| ·Defamiliarization: an Effective Way to Acquire artistic perception | 第53-56页 |
| ·Lolita: a Works of Art to Break Over-automatic Perception | 第56-61页 |
| Conclusion | 第61-62页 |
| Notes | 第62-67页 |
| Bibliography | 第67-70页 |
