| Acknowledgements | 第1-4页 |
| English Abstract | 第4-5页 |
| Chinese Abstract | 第5-7页 |
| Introducti | 第7-12页 |
| 1. The introduction of the film: Mona Lisa Smile | 第7-9页 |
| ·Wellesley Women College | 第7-8页 |
| ·The historical background of this film | 第8-9页 |
| 2. Critical responses to this film | 第9-12页 |
| Chapter One Theories Reflected in Mona Lisa | 第12-18页 |
| 1. Women’s liberation movement in the 1960s | 第12-14页 |
| 2. Feminism | 第14-16页 |
| 3. Film literature critics | 第16-18页 |
| Chapter Two Clarification of Catherine’s double-identitie | 第18-34页 |
| 1. Catherine being a teacher | 第18-26页 |
| ·Conflicts between Catherine and students | 第18-23页 |
| ·Conflicts between Catherine and the committee of the faculty | 第23-26页 |
| 2. Catherin being a feminist | 第26-34页 |
| ·Conflicts between Catherine and Betty | 第26-29页 |
| ·Discussion between Catherine and Joan | 第29-34页 |
| Chapter Three Mutual Impacts between Catherine and Other Major Characte | 第34-41页 |
| 1. Betty’s overall changing from a traditionalist into a pro-feminist | 第34-38页 |
| ·Conflicts into acceptance | 第34-35页 |
| ·Breaking with traditionalism | 第35-38页 |
| 2. Voices coming from special people | 第38-41页 |
| ·Catherine and Amanda Armstrong | 第38-40页 |
| ·Catherine and Bill Dunbar | 第40-41页 |
| Conclusion | 第41-43页 |
| Bibliography | 第43-44页 |
