| Declaration | 第1-4页 |
| Abstract | 第4-7页 |
| Acknowledgement | 第7-10页 |
| Ⅰ． Introduction: Cinematic Discourse, Migrants' Identity & Representation of Identity Politics | 第10-29页 |
| 1．1 Cinematic discourse and film studies | 第10-13页 |
| 1．2 Situating the Chinese English film Gua Sha | 第13-16页 |
| 1．3 Literature review | 第16-19页 |
| 1．4 Thesis statement | 第19-20页 |
| 1．5 Methodology and related theories | 第20-23页 |
| 1．6 Structure | 第23-29页 |
| Ⅱ． Global Culture and Individual Identity: Searching for Home in the Cultural Supermarket | 第29-45页 |
| 2．1 Globalization and the cultural supermarket | 第29-34页 |
| 2．2 Identity liberation in multiculturalism | 第34-39页 |
| 2．3 The fantasia of the American dream | 第39-45页 |
| Ⅲ． Gua Sha and Cultural Clashes: Decoding the Cultural Meaning of the Gua Sha Treatment | 第45-62页 |
| 3．1 Gua Sha: the root of cultural clashes | 第46-52页 |
| 3．2 Who is the "Other": Orient or Occident? | 第52-62页 |
| Ⅳ． Gua Sha and Identity Politics: the Confrontation between Past Cultural Memory and Present Cultural Identification | 第62-79页 |
| 4．1 The cultural myth of Gua Sha | 第63-66页 |
| 4．2 Gua Sha and identity politics | 第66-71页 |
| 4．3 Subjectivity and exilic identity | 第71-79页 |
| Ⅴ． Cultural Identity in Multiculturalism: Unity or Hybridity | 第79-97页 |
| 5．1 Multi-shaped and fragmented identity of Chinese immigrants | 第79-84页 |
| 5．2 Hybridity-phobia and cultural projection of American host | 第84-89页 |
| 5．3 Hybridity and its future in multiculturalism | 第89-97页 |
| Ⅵ． Conclusion | 第97-102页 |
| Works Cited | 第102-114页 |
