| ACKNOWLEDGEMENTS | 第1-5页 |
| 摘要 | 第5-7页 |
| ABSTRACT | 第7-11页 |
| Chapter One INTRODUCTION | 第11-23页 |
| ·Carson McCullers and Her Literary Achievements | 第11-14页 |
| ·Brief Introductions to The Ballad of Sad Café and The Heart Is a Lonely Hunter | 第14-18页 |
| ·Literature Review | 第18-20页 |
| ·The Feasibility and Significance of This Study | 第20-23页 |
| Chapter Two THEOROTICAL PERSPECTIVES | 第23-33页 |
| ·Identification in Psychoanalytical Perspectives | 第23-29页 |
| ·Compensation in Psychoanalytical Perspective | 第29-30页 |
| ·Frustration and Anxiety in Psychoanalysis | 第30-33页 |
| Chapter Three OASIS IN THE DESERT—IDENTIFICATION AND COMPENSATION IN HUMAN RELATIONSHIPS | 第33-53页 |
| ·Miraculous Love—All Changes for You | 第33-43页 |
| ·Macy’ love—“Cruel revenge from profound love” | 第33-36页 |
| ·Amelia’s love—“My red skirt only for Lymon” | 第36-38页 |
| ·Lymon’s love—“No regrets for disbursement to Macy” | 第38-41页 |
| ·Singer’s love—“All my life for my partner” | 第41-43页 |
| ·Omnipotent Friendship | 第43-51页 |
| ·Jake’s dependence on Singer | 第44-46页 |
| ·Mick’s persistence in Singer | 第46-48页 |
| ·Biff’s preference to Jake and Mick | 第48-51页 |
| ·Other Relationships | 第51-53页 |
| Chapter Four HOPELESS DESTRUCTION—MISSING OF IDENTIFICATION AND FAILURE OF COMPENSATION | 第53-63页 |
| ·Aftermath of the Main Protagonists | 第53-57页 |
| ·Coming to the ending of the life | 第53-56页 |
| ·Seeking for new life | 第56-57页 |
| ·Reasons for the Fading of Identification and Compensation | 第57-63页 |
| ·Figures’ self-confusion and self-lost | 第58-60页 |
| ·Society’s hegemony and force | 第60-63页 |
| Chapter Five ARTS FEATURES IN CARSON MCCULLERS’ LITERARY CREATION AND WORKS | 第63-69页 |
| ·Identification in McCullers’ Perspective | 第63-64页 |
| ·Carson McCullers’ Views on Her Own Literary Creation | 第64-66页 |
| ·Identification and Compensation in McCullers’ Literary Creation | 第66-69页 |
| Chapter Six CONCLUSION | 第69-71页 |
| REFERENCES | 第71-75页 |
| 附录： 攻读硕士学位期间发表的论文 | 第75页 |
