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论叶芝五部戏剧中的“女王”形象

Abstract第5页
摘要第6-8页
Chapter One Introduction第8-14页
    1.1 Yeats and His Plays on “Queen”第8-9页
    1.2 Literature Review第9-14页
Chapter Two Yeats’s Cultural Revival in the Images of Queen第14-23页
    2.1 A Continuation of Cultural Tradition: the Heroic Queen第14-18页
    2.2 A Strategy of De-Anglicization: the Fairy Queen第18-23页
Chapter Three Yeats’s Personal Occultism in the Images of Queen第23-36页
    3.1 A Confrontation between Christian Power and the Natural Power第23-30页
        3.1.1 The Balance between the Two Powers第24-28页
        3.1.2 The Pagan Queen第28-30页
    3.2 Treatment of the Relationship between the Flesh and the Spirit第30-36页
        3.2.1 The Queen of “Entire Beauty”第31-34页
        3.2.2 The Jealous Queen第34-36页
Chapter Four Yeats’s Political Ideal in the Images of Queen第36-52页
    4.1 Yeats’s Cultural Nationalism Expressed through the Sovereign Queen第36-42页
        4.1.1 The Combination of Two Traditional Female Symbols第37-39页
        4.1.2 The Dispossessed but Powerful Queen第39-42页
    4.2 “Queen” as the Embodiment of the “Noble” Complex of Yeats第42-52页
        4.2.1 The Noble, the Peasant, and the Poet第43-47页
        4.2.2 The Noble Queen第47-52页
Chapter Five Conclusion第52-54页
Bibliography第54-57页
攻读硕士学位期间取得的研究成果第57-58页
Acknowledgements第58页

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