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《还乡》中的浪漫主义怪诞与狂欢

摘要第4-5页
ABSTRACT第5-6页
Introduction第8-16页
Chapter One Ambivalent Nature in Carnivalized Setting and Horror第16-22页
    1.1 Unusual Sights and Sounds第16-18页
    1.2 The Attack by an Adder第18-22页
Chapter Two Pathos in Carnivalized Characters and Romantic Grotesque Motifs第22-41页
    2.1 Clym in the Light of the Carnivalesque第22-27页
        2.1.1 Paired Images第22-24页
        2.1.2 A Transparent Mask:Grotesque Motif of Mask第24-27页
    2.2 Eustacia the Carnival King第27-31页
        2.2.1 Crowning and Decrowning第27-28页
        2.2.2 A Whirlpool of Emptiness:Grotesque Motif of Mask第28-31页
    2.3 Venn in the Light of the Carnivalesque第31-35页
        2.3.1 Crowning and Decrowning第31-32页
        2.3.2 The Horrible Reddleman第32-33页
        2.3.3 A Withdrawn Mask:Grotesque Motif of Mask第33-35页
    2.4 Susan and Grotesque Motif of Madness第35-41页
Chapter Three Crisis in Carnivalized Plot and Embodiment of Demonic Forces第41-53页
    3.1 Metamorphosis and Madness第41-48页
        3.1.1 The Gambling out of Revenge第42-44页
        3.1.2 The Dancing with Extramarital Love第44-47页
        3.1.3 The Bonfire for Forbidden Love第47-48页
    3.2 Crisis Dreams第48-53页
        3.2.1 Symbolism in Eustacia's Dream第49-50页
        3.2.2 Embodiment of Clym's Dream第50-53页
Conclusion第53-56页
Bibliography第56-60页
ACKNOWLEDGEMENTS第60页

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