| Abstract | 第4-5页 |
| 中文摘要 | 第6-10页 |
| Introduction | 第10-20页 |
| Chapter 1 Polyphonic Theory and A Passage to India | 第20-28页 |
| Chapter 2 Polyphonic Characters:Dialogue of Multiple Personalities | 第28-64页 |
| 2.1 Dialogue within Doctor Aziz | 第31-48页 |
| 2.1.1 Patriotic Indian Self versus Westernized Self | 第34-44页 |
| 2.1.2 Literary Indian Self versus Religious Muslim Self | 第44-48页 |
| 2.2 Dialogue within Miss Adela Quested | 第48-64页 |
| 2.2.1 Prejudiced Western Self versus Humanitarian Self | 第52-56页 |
| 2.2.2 Rational Self versus Sentimental Self | 第56-64页 |
| Chapter 3 Polyphonic Plotline:Contradictory Oscillation between Connection and Separation of "only Connect" | 第64-94页 |
| 3.1 Connection and Separation of Marriage between Adela and Ronny | 第74-79页 |
| 3.2 Connection and Separation of India between Muslims and Hindus | 第79-85页 |
| 3.3 Connection and Separation of the world between the West and the East | 第85-94页 |
| Chapter 4 Polyphonic Setting:Ambivalent Representation of Colonized Space | 第94-116页 |
| 4.1 Ambivalent Representation of Colonized Country | 第95-105页 |
| 4.1.1 Unbearable India versus Pleasant India | 第98-102页 |
| 4.1.2 Peaceful India versus Violent India | 第102-105页 |
| 4.2 Ambivalent Representation of the Marabar Caves | 第105-116页 |
| 4.2.1 Romantic Marabar Caves versus Monotonous Marabar Caves | 第107-111页 |
| 4.2.2 Mysterious Marabar Caves versus Chaotic Marabar Caves | 第111-116页 |
| Conclusion | 第116-122页 |
| Bibliography | 第122-128页 |
| Acknowledgements | 第128-130页 |
