摘要 | 第5-6页 |
Abstract | 第6-7页 |
1 Introduction | 第10-13页 |
1.1 Leila Meacham and Her works | 第10页 |
1.2 An Introduction to Roses | 第10-13页 |
2 Literature Review | 第13-15页 |
2.1 Studies Abroad | 第13页 |
2.2 Significance of the Thesis | 第13-15页 |
3 Theoretical Foundation | 第15-20页 |
3.1 An Introduction to Feminism | 第15页 |
3.2 An Introduction to Narrative Theory | 第15-16页 |
3.3 Feminist Narratology | 第16-20页 |
3.3.1 Narrative Voice:Lanser's Fictions of Authority | 第17-18页 |
3.3.2 Narrative Point of View | 第18-20页 |
4 Feminist Narrative Voice in Roses | 第20-36页 |
4.1 Female Authority through Authorial Voice | 第20-29页 |
4.1.1 Re-shaping Femininity in Roses | 第22-28页 |
4.1.1.1 Mary's Independence in Economy | 第22-24页 |
4.1.1.2 Mary's Achievement in "the Toliver Curse" | 第24-26页 |
4.1.1.3 Women Calmly Facing Marriage | 第26-28页 |
4.1.2 Fair and Objective Judgment of Femininity in Roses | 第28-29页 |
4.2 Female Authority through Personal Voice | 第29-36页 |
4.2.1 Mary's Self-advocate Publicity Personal Voice | 第30-32页 |
4.2.2 Contradictory Personal Voice | 第32-36页 |
5 Feminist Narrative Point of View in Roses | 第36-47页 |
5.1 External Focalization: Narrator's Point of View | 第37-39页 |
5.2 Internal Focalization:Personal Experience of Female Characters | 第39-44页 |
5.2.1 Mary's Internal Focalization | 第40-41页 |
5.2.2 Rachel's Internal Focalization | 第41-42页 |
5.2.3 Women's Authority in Society | 第42-44页 |
5.3 The Shifting Point of View | 第44-47页 |
6 Conclusion | 第47-49页 |
References | 第49-51页 |
Acknowledgement | 第51页 |