| Acknowledgements | 第1-9页 |
| Abstract (English) | 第9-11页 |
| Abstract (Chinese) | 第11-12页 |
| Chapter One Introduction | 第12-21页 |
| ·The Playwright David Henry Hwang | 第12-14页 |
| ·M. Butterfly - a Deconstructivist Version of Madame Butterfly | 第14-19页 |
| ·The Purpose of the Thesis | 第19-20页 |
| ·The Structure of the Thesis | 第20-21页 |
| Chapter Two Literature Review | 第21-33页 |
| ·International Studies | 第21-28页 |
| ·Domestic Studies | 第28-30页 |
| ·Summary | 第30-31页 |
| ·Research Questions in Present Thesis | 第31-33页 |
| Chapter Three Homi K. Bhabha's Hybridity Theory | 第33-49页 |
| ·A Brief Introduction to Homi K. Bhabha | 第34-35页 |
| ·Homi K. Bhabha's Theory of Hybridity | 第35-47页 |
| ·The Development of Hybridity Theory | 第37-39页 |
| ·The Definition of "Third Space" | 第39-41页 |
| ·The Definition of "Ambivalence" | 第41-43页 |
| ·The Specific Strategy of the Hybridity Theory - Mimicry | 第43-45页 |
| ·Consequences of Mimicry | 第45-47页 |
| ·Summary | 第47-49页 |
| Chapter Four "Gender Mimicry" in M. Butterfly | 第49-74页 |
| ·Madame Butterfly & M. Butterfly | 第49-52页 |
| ·Puccini's Madame Butterfly - the Model of Mimicry | 第50-51页 |
| ·M. Butterfly - the Version of Gender Mimicry | 第51-52页 |
| ·Identities of Gallimard and Song Liling | 第52-57页 |
| ·Gallimard's Case | 第53-54页 |
| ·Song Liling's Case | 第54-57页 |
| ·The Realization of Song Liling's Gender Mimicry | 第57-69页 |
| ·Gallimard's Orientalist Illusion and Rape Mentality | 第59-61页 |
| ·Song Liling's Living Space: a "Third Space" | 第61-62页 |
| ·Song Liling's Cultural and Sexual Ambivalence | 第62-66页 |
| ·Song Liling's Gender Mimicry: a Representation of a Difference in a Process of Disavowal | 第66-68页 |
| ·Double Articulation of Song Liling's Gender Mimicry | 第68-69页 |
| ·Consequences of Gender Mimicry in M. Butterfly | 第69-74页 |
| ·To Subvert Traditional Power Relationships Between the West and the East | 第70-71页 |
| ·To Rebuild the New and Hopeful Image of Oriental Male | 第71-74页 |
| Chapter Five Conclusion | 第74-76页 |
| References | 第76-80页 |
