| Abstract | 第5页 |
| 摘要 | 第6-8页 |
| Introduction | 第8-18页 |
| Ⅰ. The Inauthentic Cognition of the Subjects | 第18-30页 |
| 1.1 Project Members’ Inauthentic Self-pursuit | 第18-24页 |
| 1.2 Backdrop Characters’ Inauthentic Self-identification | 第24-30页 |
| Ⅱ. The Hyper-real Construction of the Societies | 第30-42页 |
| 2.1 “England, England” as a Commercialized Society | 第30-35页 |
| 2.2 “Anglia” as a Pre-industrial Rural Society | 第35-42页 |
| Ⅲ. The Unreal Representation of National Culture | 第42-54页 |
| 3.1 English History as Artificial Sign | 第42-47页 |
| 3.2 English Tradition as Non-referential Performance | 第47-54页 |
| Conclusion | 第54-56页 |
| Works Cited | 第56-60页 |
| Appendix A | 第60-62页 |
| Appendix B | 第62-66页 |
| Acknowledgements | 第66页 |
