| 摘要 | 第1-8页 |
| ABSTRACT | 第8-10页 |
| Part One Introduction | 第10-16页 |
| ·Madame Butterfly and M. Butterfly | 第10-13页 |
| ·Deconstruction as a Theory | 第13-16页 |
| Part Two Deconstruction of the Content | 第16-38页 |
| ·The Stereotype of Butterfly and its two layers | 第16-18页 |
| ·Male vs. Female | 第18-29页 |
| ·From Control to the Resolution of Control | 第18-24页 |
| ·From Love to the Resolution of Love | 第24-29页 |
| ·East vs. West | 第29-38页 |
| ·From Subordination to the Resolution of Subordination | 第29-33页 |
| ·From Ingratiation to the Resolution of Ingratiation | 第33-38页 |
| Part Three Deconstruction of the Form | 第38-45页 |
| ·Bertolt Brecht's Theatre Theories and the Alienation Effect | 第38-40页 |
| ·From Order to Disorder | 第40-41页 |
| ·From Enchantment to Alienation | 第41-45页 |
| Part Four Conclusion | 第45-52页 |
| BILIOGRAPHY | 第52-55页 |
