| Abstract | 第2-3页 |
| 摘要 | 第4-5页 |
| 中文文摘 | 第5-8页 |
| Introduction | 第8-12页 |
| Chapter One Trey Ellis' New Black Aesthetic | 第12-24页 |
| 1.1 Foundational Sources of New Black Aesthetic | 第12-14页 |
| 1.2 Characteristics of New Black Aesthetic | 第14-20页 |
| 1.3 Essence of New Black Aesthetic | 第20-21页 |
| 1.4 Sammary | 第21-24页 |
| Chapter Two Platitudes: The Experimentation of New Black Aesthetic | 第24-44页 |
| 2.1 The Modes of Representation of Black Experience in Platitudes | 第24-33页 |
| 2.2 Character Portrayal and the Embodiment of New BlackAesthetics in Platitudes | 第33-42页 |
| 2.3 Summary | 第42-44页 |
| Chapter Three Home Repairs: The Cultural Mulatto Counteracting Stereotypes ofBlack Masculinity | 第44-56页 |
| 3.1 Repairing the Self: The Diary Form and Parody as a Mulatto Act ofCounteraction | 第44-51页 |
| 3.2 Transcending Double-consciousness: the Cultural Mulatto at Ease with theWorld | 第51-54页 |
| 3.3 Counteracting Stereotypes of Black Masculinity: Cultural Mulatto's Act ofResistance | 第54-56页 |
| Conclusion | 第56-58页 |
| References | 第58-62页 |
| 攻读学位期间承担的科研任务与主要成果 | 第62-64页 |
| Acknowledgements | 第64-66页 |
| 个人简历 | 第66-68页 |
