| ABSTRACT | 第3页 |
| 摘要 | 第4-5页 |
| ACKNOWLEDGEMENTS | 第5-10页 |
| CHAPTER 1 INTRODUCTION | 第10-16页 |
| 1.1 To Kill a Mockingbird:The Novel and Its Film Adaptation | 第10-11页 |
| 1.2 Background and Significance of the Present Research | 第11-12页 |
| 1.3 Theoretical Foundation of the Present Thesis | 第12-16页 |
| CHAPTER 2 NOVELISTIC NARRATION AND CINEMATIC NARRATION | 第16-31页 |
| 2.1 Narratology | 第16-19页 |
| 2.1.1 Novelistic narration | 第17页 |
| 2.1.2 Cinematic narration | 第17-19页 |
| 2.2 Similarities between novelistic narration and cinematic narration | 第19-24页 |
| 2.3 Differences between Cinematic Narration and Novelistic narration | 第24-31页 |
| 2.3.1 Imagination & Images | 第24-26页 |
| 2.3.2 Monomedium and multiformity | 第26-27页 |
| 2.3.3 Grammar and montage | 第27-29页 |
| 2.3.4 Perspective | 第29-31页 |
| CHAPTER 3 TO KILL A MOCKINGBIRD:FROM NOVELISTIC NARRATION T | 第31-51页 |
| 3.1 Character | 第32-36页 |
| 3.1.1 Atticus Finch in the novel and in the film | 第33-35页 |
| 3.1.2 Exaggeration in film characterization | 第35-36页 |
| 3.2 Story | 第36-44页 |
| 3.2.1 Language differences between the novel and the film script | 第37-39页 |
| 3.2.2 The plot in the novel and in the screenplay | 第39-43页 |
| 3.2.3 The female voice in the novel and in the film | 第43-44页 |
| 3.3 Setting | 第44-51页 |
| 3.3.1 From the black and white in the novel to the black-and-white film | 第46-47页 |
| 3.3.2 The view from the front porch | 第47-48页 |
| 3.3.3 The use of music | 第48-49页 |
| 3.3.4 Lighting in the film | 第49-51页 |
| CHAPTER 4 CHANGES RESULTED FROM THE ADAPTATION AND THEIRSIGNIFICANCE | 第51-54页 |
| 4.1 Changes Resulted from the Adaptation | 第51-52页 |
| 4.2 Relations between Novel and Film | 第52-54页 |
| CHAPERT 5 CONCLUSION | 第54-56页 |
| WORKS CITED | 第56-59页 |
| 攻读学位期间取得的研究成果 | 第59-60页 |
| 个人简况及联系方式 | 第60-61页 |
| 承诺书 | 第61-62页 |
