| ACKNOWLEDGEMENTS | 第1-7页 |
| 中文摘要 | 第7-10页 |
| 英文摘要 | 第10-17页 |
| Introduction | 第17-25页 |
| Chapter Ⅰ Textual Criticism of Hamlet in Contemporary China | 第25-33页 |
| ·Why Chinese Hamlet and Aesthetics of Reception | 第25-27页 |
| ·Evolution of Chinese Textual Criticism of Hamlet | 第27-30页 |
| ·A Re-criticism of Chinese Textual Criticism of Hamlet | 第30-33页 |
| Chapter Ⅱ Theatrical Adaptations of Hamlet in Contemporary China | 第33-51页 |
| ·An Overview of Theatrical Adaptations of Hamlet | 第34-36页 |
| ·Huaju Hamlet Adaptations in the 1990s | 第36-44页 |
| ·"Hamlet" in Yue Opera and Peking Opera | 第44-51页 |
| Chapter Ⅲ Cinematic Re-creations of Hamlet in Contemporary China | 第51-64页 |
| ·"Hamlet" in The Banquet | 第52-57页 |
| ·"Hamlet" in Prince of the Himalayas | 第57-60页 |
| ·A Further Study on Wu Luan and Lhamoklodan | 第60-64页 |
| Conclusion | 第64-66页 |
| Works Cited | 第66-71页 |
