Acknowledgements | 第1-7页 |
中文摘要 | 第7-8页 |
Abstract | 第8-12页 |
Chapter One Introduction | 第12-19页 |
·Research Background | 第12-14页 |
·A Brief Introduction to Kung Fu Panda | 第14-16页 |
·Need of the Study | 第16-18页 |
·Layout of the thesis | 第18-19页 |
Chapter Two Theoretical Foundations | 第19-27页 |
·Corresponding Theories on Culture and Communication | 第19-23页 |
·Culture | 第19-21页 |
·Communication | 第21-23页 |
·Cultural Patterns | 第23-27页 |
·Hofstede’s Value Dimensions (cultural variability) | 第23-25页 |
·Hall’s High-Context and Low-Context Orientations | 第25-27页 |
Chapter Three Traditional Chinese Elements in Kung Fu Panda | 第27-42页 |
·Chinese Characterization | 第27-28页 |
·Traditional Chinese Symbols | 第28-35页 |
·Kung Fu | 第29-31页 |
·Dragon | 第31-33页 |
·Tai Chi Diagram | 第33-35页 |
·Traditional Chinese Lifestyle | 第35-36页 |
·Traditional Chinese Philosophy and Beliefs | 第36-42页 |
·Taoism | 第37-39页 |
·Confucianism | 第39-42页 |
Chapter Four Embedded Eternal Themes of Hollywood Films | 第42-50页 |
·Individualistic Heroism | 第42-43页 |
·Formation of Individualistic Heroism | 第42页 |
·Reflection of Individualistic Heroism in Kung Fu Panda | 第42-43页 |
·American Dream | 第43-50页 |
·The Origin of American Dream | 第43-44页 |
·Three Factors Ensuring Po’s American Dream | 第44-47页 |
·Positive and Negative Consequences of American Dream | 第47-48页 |
·Tai Lung’s Disillusion of His American Dream | 第48-50页 |
Chapter Five Integration of Chinese and American Cultures | 第50-69页 |
·High Context and Low Context | 第50-56页 |
·American Direct Communication and Chinese Indirect Communication | 第50-54页 |
·Nonverbal Communication | 第54-56页 |
·Collectivism and Individualism | 第56-61页 |
·Comparison between Chinese Collectivism and American Individualism | 第56-58页 |
·Different Attitudes toward Space | 第58-60页 |
·Individualistic and Collectivist Manifestations within the Family | 第60-61页 |
·Hierarchy and Egalitarianism | 第61-69页 |
·American Egalitarian Culture and Chinese Hierarchical Culture | 第61-63页 |
·Different Attitudes toward Age | 第63-64页 |
·Switchover between Hierarchy and Egalitarianism in the Film | 第64-66页 |
·Chinese Formality and American Informality | 第66-69页 |
Chapter Six Conclusion | 第69-72页 |
Bibliography | 第72-75页 |