| ACKNOWLEDGMENTS | 第1-9页 |
| ABSTRACT | 第9-10页 |
| 摘要 | 第10-11页 |
| CONTENTS | 第11-12页 |
| CHAPTER Ⅰ INTRODUCTION | 第12-17页 |
| ·Introduction to the Author | 第12-14页 |
| ·Significance of the Research | 第14-17页 |
| CHAPTER Ⅱ LITERATURE REVIEW | 第17-21页 |
| ·Studies Abroad | 第17-18页 |
| ·Studies at Home | 第18-21页 |
| CHAPTER Ⅲ DAVID LODGE'S STRUCTURE ARRANGEMENTS | 第21-32页 |
| ·The Title and the Beginning | 第22-26页 |
| ·The Formation of Chapters | 第26-27页 |
| ·The Conclusion and the Ending | 第27-32页 |
| CHAPTER Ⅳ DAVID LODGE'S NARRATIVE SKILLS | 第32-46页 |
| ·The Use of Irony | 第33-35页 |
| ·The Employment of Epiphany | 第35-39页 |
| ·The Application of Intertextuality | 第39-46页 |
| CHAPTER Ⅴ DAVID LODGE'S FILM TECHNIQUES | 第46-61页 |
| ·The Employment of Montage | 第48-52页 |
| ·The Intervention of Film Scripts | 第52-55页 |
| ·The Setting of Coincidence | 第55-61页 |
| CHAPTER Ⅵ CONSISTENCY AND INCONSISTENCY BETWEEN DAVID LODGE'S THEORY AND PRACTICE | 第61-66页 |
| ·The Consistency between David Lodge's Theory and Practice | 第61-62页 |
| ·The Inconsistency between David Lodge's Theory and Practice | 第62-66页 |
| CHAPTER Ⅶ CONCLUSION | 第66-68页 |
| WORKS CITED | 第68-71页 |
