| 摘要（Abstract in Chinese） | 第1-7页 |
| Abstract | 第7-8页 |
| Acknowledgements | 第8-9页 |
| Introduction | 第9-12页 |
| Chapter 1 Silence-breaking, Articulation and the Deconstructive Use of Language | 第12-26页 |
| ·Silence-breaking | 第12-15页 |
| ·Articulation and the search for the father figure | 第15-18页 |
| ·The deconstructive use of language | 第18-26页 |
| Chapter 2 Analysis of the Language in the Play | 第26-38页 |
| ·The characteristics of main characters’language | 第26-31页 |
| ·The collision of different paroles | 第31-34页 |
| ·The customary meanings attached to words and the customary ways of speaking in given social and cultural settings | 第34-36页 |
| ·Discursive-performative constructions manifested through the achievements of speaking subjects | 第36-38页 |
| Chapter 3 Techniques Applied in this Play’s Language and the Achieved Effects | 第38-47页 |
| ·Carnival and Masks | 第38-39页 |
| ·Defamiliarisation | 第39-41页 |
| ·Performativity | 第41-44页 |
| ·Talking back | 第44-47页 |
| Conclusion | 第47-49页 |
| References | 第49-52页 |
