| Preface | 第1-16页 |
| Chapter one Sex Is The Root of All | 第16-35页 |
| Ⅰ. The Daring Defender of Sex in Literature | 第16-18页 |
| Ⅱ. "Of Physiology from top to Toe I Sing" | 第18-20页 |
| Ⅲ. Women's Roles, Free Love and Marriage | 第20-26页 |
| ⅰ Whitman and Women's Rights Activity | 第20-22页 |
| ⅱ Singing for the Women's Rights Movement | 第22-26页 |
| Ⅳ. Equality and Sex | 第26-31页 |
| ⅰ Rewriting the Myth of Genesis | 第26-29页 |
| ⅱ Whitman's Sexual politics | 第29-31页 |
| Ⅴ. Fluid Gender roles | 第31-35页 |
| ⅰ Blurring the gender bounds | 第31-33页 |
| ⅱ Free Gender | 第33-35页 |
| Chapter two Mother's Image in Leaves of Grass | 第35-42页 |
| Ⅰ. Unveiled Image of Mother | 第36-37页 |
| Ⅱ The symbol of peace, beauty and love | 第37-39页 |
| Ⅲ The Bearer of Human Catastrophe | 第39-42页 |
| Chapter three Integrated Creativity in A Childlike state | 第42-51页 |
| Ⅰ A Poet With A Childlike Heart | 第43-44页 |
| Ⅱ The Analysis of Out of the Cradle Endlessly rocking | 第44-51页 |
| Chapter Four The Role of Integrated Creativity or The "Fancy" | 第51-59页 |
| Ⅰ Whitman's Fancy | 第51-54页 |
| Ⅱ The Role of Fancy in Crossing Brooklyn Ferry | 第54-59页 |
| Conclusion | 第59-63页 |
| BIBLIOGRAPHY | 第63-66页 |
| 原创性声明 | 第66页 |
| 关于学位论文使用授权的声明 | 第66页 |
