| Acknowledgements | 第1-4页 |
| Abstract in Chinese | 第4-7页 |
| Abstract in English | 第7-13页 |
| 1 Introduction | 第13-22页 |
| ·Benjamin's life experience and his intellectual development | 第13-14页 |
| ·About The Work of Art in the Age of Mechanical Reproduction | 第14-16页 |
| ·Literature review | 第16-19页 |
| ·The value of the dissertation | 第19-22页 |
| 2 Benjamin's Views on the Auratic Art | 第22-43页 |
| ·Benjamin's views on tradition | 第22-26页 |
| ·The influence of the tradition of Jewish Theology | 第22-24页 |
| ·The influence of the tradition of German Romantic Anti-Capitalism | 第24-26页 |
| ·Benjamin's views on the auratic art | 第26-31页 |
| ·Benjamin's reinterpretation of the auratic art | 第31-43页 |
| ·The social background of the reinterpretation of the auratic art | 第31-34页 |
| ·The artistic conditions of the reinterpretation of the auratic art | 第34-38页 |
| ·The influence of Brecht | 第38-43页 |
| 3 The Substitute for the Auratic Art-the Art of Mechanical Reproduction | 第43-53页 |
| ·Benjamin's views on technology and his theory of mechanical reproduction | 第43-44页 |
| ·The distinctive features of the art of mechanical reproduction | 第44-49页 |
| ·The film as a representative | 第45-46页 |
| ·The distinctive features of the film | 第46-49页 |
| ·The queries of the other members of the Frankfurt Faculty | 第49-53页 |
| 4 The Realistic Significance of Benjamin's Reinterpretation of the Auratic Art | 第53-56页 |
| 5 Conclusion | 第56-59页 |
| Notes | 第59-65页 |
| Bibliography | 第65-66页 |
