| 摘要 | 第1-4页 |
| ABSTRACT | 第4-7页 |
| 1 Introduction | 第7-12页 |
| ·Toni Morrison and her Beloved | 第7-8页 |
| ·Literature Review | 第8-9页 |
| ·The Significance and Approach of the Study | 第9-12页 |
| 2 Narrative Time of Beloved:Different Meanings of the History Endowed by Time | 第12-31页 |
| ·Oder: the Past and the Present | 第13-17页 |
| ·Duration: the Reality and the Dream | 第17-24页 |
| ·Summary: To Bury the Character’s Past | 第17-20页 |
| ·Scene: To Reveal the Character’s Emotion | 第20-21页 |
| ·Pause: To Evoke the Character’s Spirit | 第21-23页 |
| ·Ellipsis: To Present the Character’s Eagerness | 第23-24页 |
| ·Frequency: the Phenomenon and the Essence | 第24-31页 |
| ·Repeating Narrative: To Deepen the Character’s Pain | 第24-28页 |
| ·Iterative Narrative: To Describe the Character’s Mind | 第28-31页 |
| 3 The Focalization of Beloved:Plot Integrity of the Story Entrusted by Focalization | 第31-43页 |
| ·Zero Focalization: Just and Objective Narration | 第31-34页 |
| ·External Focalization: Vivid and Suspenseful Narration | 第34-35页 |
| ·Internal Focalization: Inter and Multi-layer’s Narration | 第35-43页 |
| ·Fixed Internal Focalization: to Dissect the Characters’Mind | 第36-39页 |
| ·Multiple Internal Focalizations: to Restore the Truth of Event | 第39-43页 |
| 4 Conclusion | 第43-45页 |
| Acknowledgements | 第45-46页 |
| References | 第46-49页 |
| Appendix | 第49页 |
| 作者在攻读硕士学位期间发表论文的目录 | 第49页 |
