| ACKNOWLEDGEMENTS | 第5-6页 |
| Abstract | 第6页 |
| 摘要 | 第8-11页 |
| Chapter One INTRODUCTION | 第11-20页 |
| 1.1 Tomson Highway and Ernestine Shuswap Gets Her Trout | 第12-13页 |
| 1.2 Marie Clements and Burning Vision | 第13-15页 |
| 1.3 Indigenous Ecological Knowledge, and its Significance | 第15-20页 |
| Chapter Two LITERATURE REVIEW | 第20-29页 |
| 2.1 Studies on the Two Plays at Home and Abroad | 第20-23页 |
| 2.2 Review on Indigenous Ecological Studies | 第23-27页 |
| 2.3 Structure and Significance of the Thesis | 第27-29页 |
| Chapter Three HUMAN’S RELATIONSHIP WITH OTHER-THAN-HUMAN | 第29-36页 |
| 3.1 Other-than-human in Ecological Perspectives | 第29-32页 |
| 3.2 Indigenous People’s Relationship with Land | 第32-36页 |
| Chapter Four LAND CLAIMING IDENTITY | 第36-49页 |
| 4.1 Wisdom Grounded in Land | 第36-43页 |
| 4.1.1 Concept of land in the two plays | 第39-41页 |
| 4.1.2 Identity rooted in Indigenous relationship to land | 第41-43页 |
| 4.2 Dispossession of Land | 第43-46页 |
| 4.2.1 Fishing restriction policy in Ernestine Shuswap Gets Her Trout . | 第43-44页 |
| 4.2.2 Ore-mining for nuclear project in Burning Vision | 第44-46页 |
| 4.3 Confusion of Identity Recognition Performing on Stage | 第46-49页 |
| 4.3.1 Destroying life in Ernestine Shuswap Gets Her Trout | 第47页 |
| 4.3.2 Life being destroyed in Burning Vision | 第47-49页 |
| Chapter Five SPRITITUALITY CO-EXISTING IN EMBODIED WORLD | 第49-63页 |
| 5.1 The Importance of Spirituality | 第49-58页 |
| 5.1.1 Simultaneity of time and space | 第50-55页 |
| 5.1.2 Empowered other-than-human elements | 第55-58页 |
| 5.2 Performing Spirituality | 第58-63页 |
| 5.2.1 Acquiring knowledge through “storytelling” | 第59-61页 |
| 5.2.2 Maintaining relationship with nature | 第61-63页 |
| Chapter Six CONCLUSION | 第63-65页 |
| WORK CITED | 第65-67页 |
