| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-9页 |
| CONTENTS | 第9-11页 |
| CHAPTER ONE INTRODUCTION | 第11-20页 |
| 1.1 The Undead Vampire | 第11-13页 |
| 1.2 Literature Review | 第13-15页 |
| 1.3 Thesis Statement and and Significance of the Research | 第15-16页 |
| 1.4 Theoretical Framework | 第16-18页 |
| 1.5 Structure of the Thesis | 第18-20页 |
| CHAPTER TWO NORMALIZED GENDER IN BRAM STOKER’S DRACULA | 第20-34页 |
| 2.1 Introduction of “Dracula” | 第20-22页 |
| 2.2 Normalizing Queer Dracula | 第22-29页 |
| 2.2.1 From Vlad Dracula to Queer Monster | 第22-26页 |
| 2.2.2 Heterosexuality as a Mediation | 第26-29页 |
| 2.3 Normalizing Sexualized Women | 第29-34页 |
| CHAPTER THREE REPRODCUTION OF 'GENDER NORM' IN THE TWILIGHT SAGA | 第34-47页 |
| 3.1 Introduction of The Twilight Craze | 第34-36页 |
| 3.2 Repetition of Gender Binarism | 第36-43页 |
| 3.2.1 Repetition and Idealization of Heterosexual Norm | 第36-40页 |
| 3.2.2 Dominant Masculinity vs. Passive Femininity | 第40-43页 |
| 3.3 Re-idealization of Gender Norm through “Drag” | 第43-47页 |
| CHAPTER FOUR 'GENDER NORM' IN THE EVOLUTION OF VAMPIRE IMAGE | 第47-56页 |
| 4.1 Vampire as the Abject: Subverting ‘Gender Norm’ | 第47-50页 |
| 4.2 From Abject to Romantic Hero: Romanticizing ‘Gender Norm’ | 第50-56页 |
| CHAPTER FIVE CONCLUSION | 第56-60页 |
| WORKS CITED | 第60-62页 |
