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基于隐喻-图像连接模式的《春江花月夜》认知解读

Abstract第4-5页
摘要第6-9页
Chapter One Introduction第9-12页
    1.1 Research Background第9页
    1.2 Research Purpose and Questions第9-10页
    1.3 Research Methodology第10页
    1.4 Organization of the Thesis第10-12页
Chapter Two Previous Studies on Chun Jiang Hua Yue Ye第12-14页
    2.1 A Brief Introduction of Chun Jiang Hua Yue Ye第12页
    2.2 Previous Studies on Chu Jiang Hua Yue Ye第12-13页
        2.2.1 Literary Approach to Chu Jiang Hua Yue Ye第12页
        2.2.2 Translation Approach to Chu Jiang Hua Yue Ye第12-13页
        2.2.3 Cognitive Approach to Chu Jiang Hua Yue Ye第13页
    2.3 Comment on Previous Studies第13-14页
Chapter Three Theory of Hiraga’s Metaphor-Icon Links Model第14-27页
    3.1 Introduction第14页
    3.2 Research Background of Hiraga’s Cognitive Linguistics Theory第14-15页
    3.3 Hiraga’s Account of Metaphor and Iconicity第15-17页
    3.4 Mechanism of Hiraga’s Metaphor-Icon Links Model第17-26页
        3.4.1 Metaphor in Icon第17-21页
        3.4.2 Iconicity in Metaphor第21-24页
        3.4.3 Hiraga’s Model of Metaphor-Icon Links第24-26页
    3.5 Summary第26-27页
Chapter Four Account of Chun Jiang Hua Yue Ye Based on the Metaphor-Icon LinksModel第27-39页
    4.1 Introduction第27页
    4.2 Metaphorical Interpretation of the Text第27-34页
        4.2.1 Local Metaphors in the Poem第27-32页
            4.2.1.1 A NATURAL PHENOMENON IS AN ENTITY第27-28页
            4.2.1.2 NATURE IS ANIMATE and FEELING IS AN ENTITY第28-29页
            4.2.1.3 A LIFETIME IS A YEAR第29-30页
            4.2.1.4 NATURE IS HUMAN and HUMAN IS NATURE第30-32页
        4.2.2 Global Metaphors in the Poem第32-34页
            4.2.2.1 NATURE IS HUMAN as the Global Metaphor第33页
            4.2.2.2 Global Metaphor in the Model of Blending第33-34页
    4.3 Iconic Interpretation via Metaphor第34-37页
        4.3.1 Textual Structure of the Poem第34-37页
            4.3.1.1 Dual Account of Spring第34-35页
            4.3.1.2 Dual Account of River第35页
            4.3.1.3 Dual Account of Flower第35-36页
            4.3.1.4 Dual Account of Moon第36页
            4.3.1.5 Dual Account of Night第36-37页
            4.3.1.6 Dual Account of Natural Entities as a Whole第37页
        4.3.2 Form as Meaning第37页
    4.4 Summary第37-39页
Chapter Five Conclusion第39-42页
    5.1 Summary of the Whole Thesis第39-40页
    5.2 Implication and Application of the Study第40页
    5.3 Limitation of the Thesis and Prospects for Future Research第40-42页
Bibliography第42-45页
Appendix第45-46页
Acknowledgements第46-47页
Publications第47页

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