| Acknowledgements | 第1-6页 |
| 摘要 | 第6-7页 |
| ABSTRACT | 第7-11页 |
| Chapter One INTRODUCTION | 第11-14页 |
| ·Introduction of T.S Eliot and his The Waste Land | 第11-12页 |
| ·Introduction of T.S Eliot | 第11-12页 |
| ·Introduction of The Waste Land | 第12页 |
| ·Social background of The Waste Land | 第12-14页 |
| Chapter Two LITERARY REVIEW | 第14-19页 |
| Chapter Three TEORETICAL FRAMEWORK | 第19-21页 |
| ·Bakhtin | 第19页 |
| ·Polyphony Theory | 第19-21页 |
| Chapter Four POLYPHONY IN THE WASTE LAND | 第21-42页 |
| ·Polyphony in the Epigraph | 第21-22页 |
| ·Polyphony in “The Burial of the Dead” | 第22-26页 |
| ·Past voice, present voice and future voice | 第22-23页 |
| ·Character’s voice and the poet’s voice | 第23-25页 |
| ·Oracular voices and individual voices | 第25-26页 |
| ·Polyphony in “A Game of Chess” | 第26-30页 |
| ·Mythic voice and realistic voice | 第26-27页 |
| ·Feminine voices and masculine voices | 第27-29页 |
| ·Inviolable voice and profaned voice | 第29-30页 |
| ·Polyphony in “The Fire Sermon” | 第30-37页 |
| ·Serious voice and ironical voice | 第30-32页 |
| ·Aged voices and youthful voices | 第32-35页 |
| ·Buddhism and Christianity | 第35-37页 |
| ·Polyphony in “What the Thunder Said” | 第37-42页 |
| ·Religion and society | 第37-38页 |
| ·Polyphonic “DA”in fable of Upanishad | 第38-39页 |
| ·Polyphonic “DA”in The Waste Land | 第39-42页 |
| Chapter5 THE SOCIAL SIGNIFICANCE OF POLYPHONY IN THE WASTE LAND | 第42-45页 |
| ·Similar social reason of emergence of polyphony and Eliot’s The Waste Land | 第42页 |
| ·Social value of polyphony theory applied in The Waste Land | 第42-45页 |
| Chapter Six CONCLUSION | 第45-47页 |
| Work Cited | 第47-51页 |
| Appendix I 攻读研究生期间发表的论文 | 第51-52页 |
