| ABSTRACT | 第2页 |
| 摘要 | 第3-6页 |
| Chapter One Introduction | 第6-20页 |
| 1.1 Emily Bronte and Wuthering Heights | 第6-7页 |
| 1.2 Wuthering Heights | 第7-9页 |
| 1.3 Literature review | 第9-16页 |
| 1.3.1 Critical View of Wuthering Heights in Western Countries and China | 第9-13页 |
| 1.3.2 Miller's Deconstructist Review of Wuthering Heights | 第13-16页 |
| 1.4 Research Question:Gaps of Binary Oppositions in Wuthering Heights | 第16-17页 |
| 1.5 The Layout of the Thesis | 第17-20页 |
| Chapter Two Analytical Framework | 第20-25页 |
| 2.1 Deconstruction | 第20-23页 |
| 2.1.1 Deconstruction of the Binary Opposition | 第21-22页 |
| 2.1.2 Deconstruction of the Center | 第22-23页 |
| 2.2 Gaps in Deconstruction | 第23-25页 |
| Chapter Three Analysis of Gaps in Binary Oppositions in Wuthering Heights | 第25-46页 |
| 3.1 Gaps in Character—the Binary Opposition of Victim and Revenge | 第26-31页 |
| 3.1.1 Heathcliff—A Miserable Victim | 第26-29页 |
| 3.1.2 Catherine—the Root of the Revenges | 第29-31页 |
| 3.2 Gaps in Plot The Binary Opposition of Catherine's Love for Heathcliff andHer Love for Edgar | 第31-36页 |
| 3.2.1 The Destructiveness of an Unchanged Love between Heathcliffand Catherine | 第32-34页 |
| 3.2.2 Pursuit of Social Class inside Catherine's Love for Edgar | 第34-36页 |
| 3.3 Gaps in Narrators | 第36-41页 |
| 3.3.1 Nelly—A Hypocritical Villain | 第36-39页 |
| 3.3.2 Lockwood-An Absurd Misanthrope | 第39-41页 |
| 3.4 Gaps in Setting | 第41-46页 |
| 3.4.1 Gaps of Scenes Outside the Window and Inside the Window | 第42-43页 |
| 3.4.2 Gaps in Wuthering Heights and Thrushcross Grange | 第43-44页 |
| 3.4.3 The Reasons for Gaps in Setting | 第44-46页 |
| Chapter Four Conclusion | 第46-48页 |
| Bibliography | 第48-52页 |
| Acknowledgements | 第52-54页 |
