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托妮·莫里森的叙事艺术与政治

Acknowledgements第6-7页
摘要第7-10页
Abstract第10-13页
Introduction第15-31页
    Ⅰ Literature Review第15-19页
    Ⅱ The Protest Tradition and Morrison's Poetics第19-25页
    Ⅲ Narrative as a Socio.Political Act第25-31页
Chapter 1 Redefining the Meaning of Blackness第31-55页
    1.1 Dissociating Beauty and Color第33-38页
    1.2 Anti-Stereotyping of Black Females第38-45页
    1.3 Rethinking Black Manhood第45-53页
    Conclusion第53-55页
Chapter 2 Neoslave Narratives Problematize History第55-79页
    2.1 Re-imaging the Colonial America-A Mercy第56-61页
    2.2 Re-textualizing the Garner Case-Beloved第61-66页
    2.3 Narrative as "Talk Cure" of Past Trauma第66-76页
    Conclusion第76-79页
Chapter 3 Morrison's Plotting Art and Patterns第79-95页
    3.1 Epigraph or Prologue,Why Bother?第80-84页
    3.2 Plot Structure and Major Patterns第84-90页
    3.4 Death as one kind of Closure第90-93页
    Conclusion第93-95页
Chapter 4 Morrison's Narrators and Narration第95-125页
    4.1 Character and Author as Duo Narrators第98-110页
    4.2 The Mysterious Narrator "I" in Jazz第110-116页
    4.3 Multiple Perspectives in Paradise第116-122页
    Conclusion第122-125页
Chapter 5 Strategies of Speech Presentation第125-154页
    5.1 Conversational Implicature and Irony第126-134页
    5.2 Speech and Characterization第134-139页
    5.3 FDS/Monologue and Empathy第139-146页
    5.4 Thought Presentation-FIT and FDT第146-148页
    5.5 Slipping and Splicing in Song of Solomon第148-151页
    Conclusion第151-154页
Conclusion第154-161页
Bibliography第161-167页

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