| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-21页 |
| ·A Brief Introduction of the Three Authors and Their Literary Achievements | 第10-14页 |
| ·Zora Neale Hurston and Their Eyes Were Watching God | 第10-11页 |
| ·Alice Walker and The Color Purple | 第11-13页 |
| ·Toni Morrison and Song of Solomon | 第13-14页 |
| ·Literature Review | 第14-19页 |
| ·Literature Review of Their Eyes Were Watching God | 第14-16页 |
| ·Literature Review of The Color Purple | 第16-17页 |
| ·Literature Review of Song of Solomon | 第17-19页 |
| ·Significance of the Study | 第19页 |
| ·The Structure of the Thesis | 第19-21页 |
| Chapter One Intertextuality Theory | 第21-25页 |
| ·Broad Sense of Intertextuality | 第21-22页 |
| ·Narrow Sense of Intertextuality | 第22-24页 |
| ·Application of Intertextuality in Literary Criticism | 第24-25页 |
| Chapter Two The Paradigm of the Exodus in Their Eyes Were Watching God | 第25-36页 |
| ·The Biblical Influence on Hurston’s Religious Perspective | 第26页 |
| ·The Journey of Moses in the Bible | 第26-27页 |
| ·The Journey of Moses as a Metaphor | 第27-36页 |
| ·Escape from Enslavement of Marriage | 第28-30页 |
| ·Quest for Liberation | 第30-32页 |
| ·Realization of True Selfhood | 第32-36页 |
| Chapter Three The Paradigm of the Epistle in The Color Purple | 第36-46页 |
| ·Alice Walker’s Religious Ideology | 第36-37页 |
| ·The Epistle in the Bible | 第37-38页 |
| ·The Epistle as a Generic Subtext | 第38-46页 |
| ·Celie’s God as “He” | 第38-39页 |
| ·Celie’s God as “She” | 第39-42页 |
| ·Celie’s God as “It” | 第42-46页 |
| Chapter Four The Paradigm of the Canticles in Song of Solomon | 第46-62页 |
| ·Toni Morrison’s Biblical Complex | 第47页 |
| ·The Canticles in the Bible | 第47-48页 |
| ·The Canticle as a Love Song | 第48-62页 |
| ·Self Love | 第49-53页 |
| ·Other Love | 第53-58页 |
| ·Community Love | 第58-62页 |
| Conclusion | 第62-64页 |
| References | 第64-68页 |
| Publications | 第68页 |
