| Chapter 1 Introduction | 第1-13页 |
| ·Nabokov in Postmodernist Land | 第9-10页 |
| ·A Brief Introduction of the Novel Lolita | 第10-13页 |
| Chapter 2 The Credibility of Humbert's Confession | 第13-48页 |
| ·Humbert's Vivid and Concrete Life Panorama | 第13-20页 |
| ·The Clear Time Clues | 第13-14页 |
| ·The Distinct Space Clues | 第14-20页 |
| ·Humbert's Ethnic Background | 第20页 |
| ·Humbert's Sophisticated Narrative Strategy | 第20-39页 |
| ·The Super Narrator--John Ray, Jr | 第21-24页 |
| ·The First-Person Point of View | 第24-29页 |
| ·The Duality of the Addressee | 第29-37页 |
| ·Humbert's Overwhelming Voice | 第37-39页 |
| ·Allusions Exploited by Humbert to Testify to His Perverse Behavior | 第39-42页 |
| ·Obsession Consistent with Freud's Psychoanalysis | 第42-48页 |
| Chapter 3 The Incredibility of Humbert's Confession | 第48-77页 |
| ·The Involuted Design of Lolita | 第48-57页 |
| ·The Coincidences | 第49-52页 |
| ·The Work-Within-the-Work | 第52-57页 |
| ·The False Lolita | 第57-68页 |
| ·The Incarnation of Butterfly | 第57-63页 |
| ·Lolita Solipsized by Humbert | 第63-68页 |
| ·The Relationship of Humbert, Vivian Darkbloom and Quilty | 第68-74页 |
| ·Quilty--the Counterpart of Humbert | 第68-72页 |
| ·Vivian Darkbloom Identical to Vladimir Nabokov | 第72-74页 |
| ·Metamorphosis--the Way of Being | 第74-77页 |
| Chapter 4 Conclusion | 第77-81页 |
| Works Cited | 第81-86页 |
