| Abstract | 第1-10页 |
| 摘要 | 第10-12页 |
| Introduction | 第12-20页 |
| Chapter One: The Narrative of the Confession and the Effects | 第20-34页 |
| ·Point of View | 第20-24页 |
| ·First Person Narration | 第20-22页 |
| ·Changes in Persons and in Narrative Objects | 第22-24页 |
| ·Narrative Techniques | 第24-27页 |
| ·Speeches | 第24-26页 |
| ·Changes in Narrative Tone | 第26-27页 |
| ·Narrative Structure | 第27-32页 |
| ·Arrangement of Events | 第27-29页 |
| ·Insinuation of Clues | 第29-32页 |
| ·Narrative Peculiarity | 第32-34页 |
| Chapter Two: The Rhetoric of the Confession and the Effects | 第34-46页 |
| ·Allusions to Historical Figures | 第34-35页 |
| ·Word Games | 第35-40页 |
| ·Derivative and Coinages of Names | 第35-37页 |
| ·Transference of Meaning | 第37-39页 |
| ·Phonetic Patterns | 第39-40页 |
| ·Transcendence of Literary Genres | 第40-42页 |
| ·Prose Style | 第42-46页 |
| Chapter Three: What Is behind the Techniques in the Confession | 第46-56页 |
| ·Humbert's Reliability as the Narrator | 第46-51页 |
| ·A Mental Patient | 第47-48页 |
| ·Changes in Persons and Narrative Objects | 第48-49页 |
| ·Humbert's Negation of All | 第49-51页 |
| ·Implication of the Similarities between Humbert and Quilty | 第51-52页 |
| ·Humbert's Concealed Cruelty to Valeria and Charlotte | 第52-54页 |
| ·Humbert's Learnedness | 第54-56页 |
| Chapter Four: The Foreword and the Postscript | 第56-67页 |
| ·The Foreword | 第56-63页 |
| ·Basic Roles | 第56-58页 |
| ·Contribution to the Truthfulness of the Story | 第57页 |
| ·Summary of the Confession | 第57-58页 |
| ·Warnings on the Reader | 第58-61页 |
| ·Humbert Is a Psychological Patient | 第59页 |
| ·Humbert Is Evil | 第59-60页 |
| ·The Effects of the Confession and Why | 第60-61页 |
| ·Nabokov's Tricks | 第61-63页 |
| ·Messages of Death | 第61-62页 |
| ·Social Significance | 第62-63页 |
| ·The Postscript | 第63-67页 |
| ·No Realistic Motivation or Significance | 第63-64页 |
| ·About Pornography | 第64-65页 |
| ·What Lolita Is to Nabokov | 第65-67页 |
| Conclusion | 第67-70页 |
| Bibliography | 第70-73页 |
| Acknowledgements | 第73-74页 |
| 学位论文评阅及答辩情况表 | 第74页 |
