| Acknowledgments | 第6-7页 |
| 摘要 | 第7-8页 |
| Abstract | 第8页 |
| Introduction | 第10-19页 |
| Chapter One Extraordinariness of Ordinary Subject Matter | 第19-27页 |
| 1.1 Reshuffled subject hierarchy with renewed definition of “life drama | 第20-23页 |
| 1.2 Least “external drama” allows most “internal drama” | 第23-27页 |
| Chapter Two Blue and Green as Fluid Colors | 第27-35页 |
| 2.1 Cultural associations of blue and green with fluidity of life | 第27-31页 |
| 2.2 Pure color application maximizes life dynamics | 第31-35页 |
| Chapter Three Techniques in representing the fluidity of life | 第35-50页 |
| 3.1 Impressionist race against time | 第36-42页 |
| 3.2 “Significant form” of Post-Impressionism | 第42-50页 |
| 3.2.1 Fragmentation and Cubism | 第45-48页 |
| 3.2.2 Liquefaction and Montage | 第48-50页 |
| Conclusion | 第50-53页 |
| Bibliography | 第53-57页 |
| Blue & Green | 第57-58页 |
| Illustrations | 第58-63页 |
