| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-24页 |
| ·David Lodge and His Works | 第11-13页 |
| ·Overview on Literary Cinematic Techniques | 第13-19页 |
| ·Relationship between Literature and Film | 第14-18页 |
| ·Cinematic Techniques in Literature | 第18-19页 |
| ·Literature Review | 第19-22页 |
| ·Significance of the Thesis | 第22-24页 |
| Chapter One Cinematic Visualization in Nice Work | 第24-36页 |
| ·The Dynamics of Literary-cinematic "Shots" | 第25-31页 |
| ·The Dexterous Shifting of Objective and Subjective "Shots" | 第31-36页 |
| Chapter Two Cinematic Use of Aural Elements in Nice Work | 第36-52页 |
| ·Cinematic Portrait of Dialogues | 第37-42页 |
| ·Cinematic Use of Mood Music | 第42-47页 |
| ·Dramatic Use of Silence | 第47-52页 |
| Chapter Three Cinematic Editing Techniques in Nice Work | 第52-62页 |
| ·The Juxtaposed Spaces under Montage Narration | 第53-56页 |
| ·The Distorted Time under Montage Narration | 第56-62页 |
| Conclusion | 第62-64页 |
| Bibliography | 第64-71页 |
