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托尼·莫里森小说《爵士乐》中非裔美国人的身份研究

Acknowledgements第3-6页
Abstract第6-7页
摘要第8-11页
Introduction第11-31页
Chapter One Loss of Self-Identity第31-43页
    1.1 The Reasons for the Identity Crisis第31-34页
        1.1.1 The Historical Reasons第32-33页
        1.1.2 Struggle between Black and White Culture第33-34页
    1.2 Lack of Identity第34-43页
        1.2.1 Violet Loses her Identity in Crevice第35-38页
        1.2.2 Joe Trace Loses his Identity in the City第38-40页
        1.2.3 Dorcas Loses her Identity in her World第40-43页
Chapter Two In Search of Self-Identity in Jazz第43-53页
    2.1 The Necessities of Searching for Identity第44-46页
    2.2 Search for Self-Identity第46-53页
        2.2.1 Violet Searches for her Identity第46-48页
        2.2.2 Joe Trace Searches for his Identity第48-51页
        2.2.3 Dorcas Searches the Way out第51-53页
Chapter Three Reconstruction of Self-Identity in Jazz第53-67页
    3.1 The Reasons for Reconstructing the Black’s Identity第53-54页
    3.2 Reconstruction of Self-Identity第54-67页
        3.2.1 The Process of Reconstructing Self-Identity第55-58页
        3.2.2 The Positive Result of Love and Communication第58-64页
        3.2.3 The Happy Ending of the Story第64-67页
Conclusion第67-71页
Works Cited第71-76页

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