| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| Acknowledgements | 第6-8页 |
| Introduction | 第8-15页 |
| A. Edgar Allan Poe and His Detective Tales | 第8-9页 |
| B. Literature Review | 第9-13页 |
| C. Theoretical Basis | 第13-14页 |
| D. Structural-Layout | 第14-15页 |
| Chapter One The Murder of the Murder:"The Murder in the Rue Morgue" | 第15-22页 |
| A. Two Murders and Murderers Non-Human Orangutan and the Detective | 第15-18页 |
| B. The Crime of the Binary Confined-Locale | 第18-20页 |
| C. The Metaphor of "the Murder of the Murder" | 第20-22页 |
| Chapter Two The Two Genres of "The Mystery of Marie Roget" | 第22-32页 |
| A. The Transgressed Genre on the Collective Detection towards the Crime | 第22-26页 |
| B. The Destruction of the Transgressed Genre Established by the Consensus | 第26-28页 |
| C. The Created Genre of the Detective towards the Crime | 第28-32页 |
| Chapter Three The Vitalized Second Story: "The Gold-Bug" | 第32-43页 |
| A. The Writer's Pursuit of Original Signified Self | 第32-35页 |
| B. The Gold Bug: The Signified Code | 第35-37页 |
| C. The Detective's Decoded Deduction upon the Gold Bug | 第37-40页 |
| D. The Ritualistic Structure of the Gold Bug in the Vitalized Second Story | 第40-43页 |
| Chapter Four The Dislocation: "Thou Art The Man" | 第43-55页 |
| A. The Writer's Dramatic Crime of the "Suspect-As-Detective" | 第43-45页 |
| B. The Leads to the Wrong Culprit | 第45-49页 |
| C. The Investigation: The Correction of the Dislocation | 第49-55页 |
| Chapter Five The Order and the Inversion:"The Purloined Letter" | 第55-66页 |
| A. The Writer's Design to Rival the Reader | 第55-58页 |
| B. The Investigation towards the Purloined Letter | 第58-62页 |
| a. The Scene of the Crime | 第58-59页 |
| b. The Leads to the Purloined Letter | 第59-62页 |
| C. The Story and the Plot of "The Purloined Letter" | 第62-66页 |
| Conclusion | 第66-72页 |
| Works Cited | 第72-77页 |
