| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-10页 |
| Chapter One Introduction | 第10-18页 |
| 1.1 General Introduction to Isaac Bashevis Singer and the Novels of The Magician of Lubulin and Shosha | 第10-12页 |
| 1.2 Literature Review | 第12-15页 |
| 1.3 Central Argument, Research Perspective and Overview of the Thesis | 第15-16页 |
| 1.4 Structure of the Thesis | 第16-18页 |
| Chapter Two Theoretical Basis | 第18-22页 |
| 2.1 General Introduction to Karen Danielsen Homey and Her Personality Theory | 第18-20页 |
| 2.2 Characteristics of Compliant Personality | 第20-21页 |
| 2.3 Way for Growth——De-neurosis | 第21-22页 |
| Chapter Three Compliant Personality and Amorousness of Singer Heroes | 第22-36页 |
| 3.1 Representations of the Heroes' Compliant Personality | 第22-25页 |
| 3.1.1 Moving towards Others | 第22-24页 |
| 3.1.2 Lacking of Masculinity | 第24-25页 |
| 3.2 The Heroes' Identity Anxiety | 第25-31页 |
| 3.2.1 Conflicts between the Jewish Tradition and the Modernized Society | 第26-28页 |
| 3.2.2 The Intrinsic Conflict of Compliant Personality | 第28-31页 |
| 3.3 Relevance Between Amorousness and Compliant Personality | 第31-36页 |
| 3.3.1 Indulging in Complex Relationships among Lovers | 第31-33页 |
| 3.3.2 Reasons for the Heroes' Amorousness | 第33-36页 |
| Chapter Four Female Characters' Influences on the Heroes' Strategy for Male Identity Construction | 第36-44页 |
| 4.1 Different Women Reflecting Different Selves | 第36-39页 |
| 4.2 The Significance of Women to Men | 第39-40页 |
| 4.3 The Significance of Men to Women | 第40-44页 |
| Chapter Five The Failure of the Heroes' Male Identity Construction | 第44-47页 |
| 5.1 Representations of the Failure | 第44-45页 |
| 5.2 Causes of the Failure | 第45-47页 |
| Chapter Six Conclusion | 第47-49页 |
| Works Cited | 第49-50页 |
