| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Contents | 第7-9页 |
| Introduction | 第9-13页 |
| Chapter One Postmodern View on History Writing | 第13-19页 |
| ·History Writing Doubted in Postmodern Era | 第13-15页 |
| ·Context of Postmodern History Writing | 第13-15页 |
| ·Development of History Writing | 第15页 |
| ·Hayden White: The Historical Text as Literary Artifact | 第15-17页 |
| ·Linda Hutcheon: Problematic Historical Representation | 第17-19页 |
| Chapter Two Metafiction and Impossibility of History Writing | 第19-30页 |
| ·Libra: a Historiographic Metafiction | 第19-20页 |
| ·Historiographic Metafiction | 第20-22页 |
| ·What is Historiographic Metafiction | 第20-22页 |
| ·Historiographic Metafiction Vs Metafiction | 第22页 |
| ·Metafiction Leading to Impossible History Writing | 第22-30页 |
| ·Nicholas Branch, the Historian Given Impossible Task | 第23-27页 |
| ·Win Everett, the History Faker | 第27-30页 |
| Chapter Three Limited Point of View and Impossible History Writing | 第30-40页 |
| ·Limited Point of View | 第30-33页 |
| ·Point of View: Voice or Sight | 第30-31页 |
| ·Limited Point of View in Use: Character Fixed and Shifted | 第31-33页 |
| ·Limited Point of View Leading to Impossible History Writing | 第33-40页 |
| ·Fixed Internal Point of View: “the Walker Shooting” | 第33-34页 |
| ·Shift of Point of View: Elusive Moment in Dallas | 第34-40页 |
| Chapter Four Fragmented Narrative and Impossible History Writing | 第40-48页 |
| ·Fragments as Postmodern Writing Device | 第40-41页 |
| ·Fragments Leading to Impossible History Writing | 第41-48页 |
| ·“White Nightmare”: Fragmented World of Libra | 第41-45页 |
| ·Oswald: the Dispersed Libran | 第45-48页 |
| Conclusion | 第48-50页 |
| Bibliography | 第50-53页 |
| Acknowledgements | 第53-54页 |
| Publication | 第54页 |
