| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-16页 |
| Chapter One Point of View in the Novel and the Film | 第16-25页 |
| 1.1 Background of research on point of view | 第16-17页 |
| 1.2 Focalization in the novel and point of view in the film | 第17-25页 |
| 1.2.1 Zero focalization & Objective shots | 第18-21页 |
| 1.2.2 External and Internal focalization & Subjective shots | 第21-23页 |
| 1.2.3 The audio “point of view”in the film | 第23-25页 |
| Chapter Two Story Time and Narrative Time in the Novel and the Film | 第25-37页 |
| 2.1 Orders in the novel and the film | 第26-28页 |
| 2.2 Duration in the novel and the film | 第28-33页 |
| 2.2.1 Pause | 第28-29页 |
| 2.2.2 Scene | 第29-30页 |
| 2.2.3 Summary | 第30-31页 |
| 2.2.4 Ellipsis | 第31-32页 |
| 2.2.5 Stretch | 第32-33页 |
| 2.3 Frequency in the novel and the film | 第33-37页 |
| 2.3.1 Repeating narrative | 第33-35页 |
| 2.3.2 Iterative narrative | 第35-37页 |
| Chapter Three Plot in the Novel and the Film | 第37-44页 |
| 3.1 Structure—General Design of Plots | 第38-40页 |
| 3.2 Simplification of plots in the film | 第40-42页 |
| 3.3 Absence of some characters in the film | 第42-44页 |
| Chapter Four Narrative Language in the Novel and the Film | 第44-54页 |
| 4.1 Inconsistent & Identified | 第45-48页 |
| 4.2 Implicit & Explicit | 第48-49页 |
| 4.3 Single & Multiple | 第49-52页 |
| 4.4 Fogeyish & Developing | 第52-54页 |
| Conclusion | 第54-56页 |
| Bibliography | 第56-58页 |
| 攻硕期间取得的研究成果 | 第58-59页 |
