| Acknowledgements | 第7-9页 |
| Abstract (in English) | 第9页 |
| Abstract (in Chinese) | 第10-11页 |
| Introduction | 第11-14页 |
| Chapter One Martin Amis and London Fields | 第14-24页 |
| 1.1 Martin Amis and His Works | 第14-18页 |
| 1.2 London Fields and Its Literature Review | 第18-24页 |
| Chapter Two Parody | 第24-33页 |
| 2.1 Definitional Problem of Parody | 第24-25页 |
| 2.2 A Historical Review of Parody | 第25-29页 |
| 2.3 Linda Hutcheon’s Views of Parody | 第29-33页 |
| Chapter Three A Parody of Love and Sex | 第33-46页 |
| 3.1 Courtly Love and Nicola’s Parodic Version | 第33-39页 |
| 3.2 Pornography and Nicola’s Parodic Version | 第39-43页 |
| 3.3 The Death of Love | 第43-46页 |
| Chapter Four A Parody of Freud’s Oedipus Complex | 第46-60页 |
| 4.1 Freud’s Oedipus Complex as a Critical Tool | 第46-49页 |
| 4.2 Marmaduke’s Exaggerated Oedipus Complex as a Parodic Version | 第49-54页 |
| 4.3 Martin Amis’s Paternal Anxiety as a Key Clue | 第54-57页 |
| 4.4 Rationalism as a Cause for Postmodern Crises | 第57-60页 |
| Chapter Five A Parody of Plagiarism | 第60-71页 |
| 5.1 Plagiarism in Literature | 第60-63页 |
| 5.2 The Parodied Plagiarism in London Fields | 第63-67页 |
| 5.3 Impossibility of the Death of the Narrative | 第67-71页 |
| Conclusion | 第71-73页 |
| Notes | 第73-76页 |
| Bibliography | 第76-81页 |
