| ACKNOWLEDGEMENTS | 第4-5页 |
| ABSTRACT | 第5-6页 |
| 摘要 | 第7-10页 |
| CHAPTER ONE INTRODUCTION | 第10-24页 |
| 1.1 Literature Review | 第11-15页 |
| 1.2 Thesis Statement and Significance of Research | 第15-16页 |
| 1.3 Theoretical Framework | 第16-22页 |
| 1.3.1 Female Subjectivity | 第16-18页 |
| 1.3.2 Feminist Narratology | 第18-22页 |
| 1.4 Analysis Procedure | 第22-24页 |
| CHAPTER TWO DOUBLE FOCALIZATION AND THE HEROINE AS AGAZING SUBJECT | 第24-42页 |
| 2.1 The Experiencing Heroine as an Internal Gazer | 第25-33页 |
| 2.1.1 Gazing at the Foster Mother | 第25-29页 |
| 2.1.2 Gazing at Her First Lover Helen | 第29-33页 |
| 2.2 The Narrating Heroine as a Sympathetic Gazer | 第33-41页 |
| 2.2.1 Gazing at the Foster Mother | 第33-37页 |
| 2.2.2 Gazing at the Foster Father | 第37-41页 |
| 2.3 Summary | 第41-42页 |
| CHAPTER THREE COMMUNAL VOICE AND THE HEROINE AS ASPEAKING SUBJECT | 第42-60页 |
| 3.1 Predicament of the Heroine’s Speaking Subjectivity | 第43-51页 |
| 3.1.1 Unrequited Voice at Home | 第43-47页 |
| 3.1.2 Unrequited Voice in the Church | 第47-51页 |
| 3.2 Regain and Recognition of the Heroine’s Speaking Subjectivity | 第51-59页 |
| 3.2.1 Regained Voice | 第51-55页 |
| 3.2.2 Recognized Voice | 第55-59页 |
| 3.3 Summary | 第59-60页 |
| CHAPTER FOUR EMBEDDED NARRATIVE LEVELS AND THE HEROINEAS A NOMADIC SUBJECT | 第60-78页 |
| 4.1 The Extradiegetic Heroine as a Nomadic Subject | 第61-69页 |
| 4.1.1 Linear Narration | 第61-65页 |
| 4.1.2 Non-Linear Narration | 第65-69页 |
| 4.2 The Intradiegetic Heroine as a Nomadic Subject | 第69-77页 |
| 4.2.1 Engaging Narration | 第69-73页 |
| 4.2.2 Distancing Narration | 第73-77页 |
| 4.3 Summary | 第77-78页 |
| CHAPTER FIVE CONCLUSION | 第78-80页 |
| WORKS CITED | 第80-83页 |
