| ACKNOWLEDGEMENTS | 第1-7页 |
| ABSTRACT | 第7-8页 |
| 摘要 | 第8-11页 |
| CHAPTER ONE INTRODUCTION | 第11-23页 |
| ·Today's Chinese-American Cinema and Ang Lee's Contributions | 第11-14页 |
| ·Situating Ang Lee's Film The Wedding Banquet | 第14-16页 |
| ·Literature Review | 第16-18页 |
| ·Thesis Statement | 第18-19页 |
| ·Theoretical Framework | 第19-20页 |
| ·Structure | 第20-23页 |
| CHAPTER TWO IDENTITY-SEEKING | 第23-34页 |
| ·Stages of Identity Formation | 第23-26页 |
| ·Identity Dilemma of Ang Lee | 第26-29页 |
| ·Identity-Seeking as Seen in the Film | 第29-34页 |
| CHAPTER THREE MANIFESTATION OF CHINESE/AMERICANVALUES | 第34-54页 |
| ·Different Attitudes toward Family in China and America | 第34-36页 |
| ·Cultural Connotation of the Wedding Feast | 第36-41页 |
| ·Who is the "Other":Orient or Occident? | 第41-46页 |
| ·Negotiation of an Asian Diaspora Queer Identity | 第46-54页 |
| CHAPTER FOUR THE LOCATION OF THE IMMIGRANTS' CULTURAL IDENTITY | 第54-64页 |
| ·Fragmentation and Transformation of Chinese Immigrants' Identity | 第54-58页 |
| ·Hybridity:Transcendence of Identity as a Way out | 第58-64页 |
| CHAPTER FIVE CONCLUSION | 第64-68页 |
| NOTES | 第68-69页 |
| WORKS CITED | 第69-74页 |
