| 中文摘要 | 第1-4页 |
| ABSTRACT | 第4-8页 |
| CHAPTER ONE INTRODUCTION | 第8-15页 |
| ·ZORA NEALE HURSTON AND THEIR EYES WERE WATCHING GOD | 第8-11页 |
| ·LITERATURE REVIEW | 第11-13页 |
| ·AIMS AND STRUCTURE OF THE THESIS | 第13-15页 |
| CHAPTER TWO SPATIAL CRITICISM | 第15-19页 |
| ·THE CONCEPT OF SPACE | 第15-16页 |
| ·LEFEBVRE’S TRI-DIVISION OF SOCIAL SPACE | 第16-17页 |
| ·FOUCAULT’S POWER-SPACE THEORY | 第17-19页 |
| CHAPTER THREE JANIE’S FIRST MARRIAGE: FROM WHITE SLAVEHOLDER’S BACKYARD TO LOGAN’S BIG HOUSE | 第19-27页 |
| ·WHITE SLAVEHOLDER’S BACKYARD: “REPRESENTATIONAL SPACES” OF WHITE/BLACK DUALITY | 第19-23页 |
| ·LOGAN’S BIG HOUSE: “REPRESENTATIONAL SPACES”OF MALE /FEMALE DUALITY | 第23-27页 |
| CHAPTER FOUR JANIE’S SECOND MARRIAGE: ALL-BLACK TOWN EATONVILLE | 第27-38页 |
| ·JODY STARKS: PASSING FOR THE WHITE | 第27-29页 |
| ·EATONVILLE: “REPRESENTATIONAL SPACES”UNDER SURVEILLANCE OF PATRIARCHY | 第29-38页 |
| ·White Painted House: Janie’s Confined Living Space | 第29-32页 |
| ·Grocery Store: Male Domination in the way of “Pan-Opticism” | 第32-38页 |
| CHAPTER FIVE JANIE’S THIRD MARRIAGE EVERGLADES—SPATIAL PRACTICE BY BLACKS AND | 第38-47页 |
| ·TEA CAKE: A SEXUAL EGALITARIAN LEADING JANIE OUT OF “PRIVATE SPACE” | 第38-39页 |
| ·WHOLE CARNIVAL: DECONSTRUCTING THE MALE DOMINATION OVER FEMALE | 第39-42页 |
| ·BLACK FOLK LIFE: DECODING THE WHITE OPPRESSION ON THE BLACK CHAPTER SIX CONCLUSION | 第42-45页 |
| ·BACK TO EATONVILLE: JANIE’S SELF- REALIZATION | 第45-47页 |
| CHAPTER SIX CONCLUSION | 第47-49页 |
| ACKNOWLEDGEMENTS | 第49-50页 |
| REFERENCES | 第50-53页 |
| APPENDIX | 第53页 |
