| ACKNOWLEDGEMENTS | 第1-5页 |
| 摘要 | 第5-6页 |
| ABSTRACTS | 第6-9页 |
| INTRODUCTION | 第9-13页 |
| Chapter One AESTHETIC AND PHILOSOPHICAL BASES OF FORSTER'S NOVEL WRITING | 第13-25页 |
| ·Critical claims on the point of view | 第13-17页 |
| ·Factors that influence the formation of Forster's point of view | 第17-20页 |
| ·Omniscient narrator in Howards End | 第20-25页 |
| Chapter Two OMNISCIENT NARRATOR AS A PAINTER | 第25-34页 |
| ·City and country: ground of disconnection | 第25-30页 |
| ·The Schelegals and the Wilcoxes: ambassador of connection | 第30-34页 |
| Chapter Three OMNISCIENT NARRATOR AS A DIRECTOR | 第34-44页 |
| ·Wholeness | 第35-36页 |
| ·Dialogism | 第36-40页 |
| ·Dramatic scene | 第40-44页 |
| CONCLUSION | 第44-46页 |
| WORKS CITED | 第46-48页 |
| REFERENCES | 第48-50页 |
