| 摘要 | 第5-6页 |
| abstract | 第6-7页 |
| CHAPTER ONE INTRODUCTION | 第10-20页 |
| 1.1 Research Background | 第10-11页 |
| 1.2 Literature Review | 第11-16页 |
| 1.2.1 Studies on Oscar Wilde | 第11-12页 |
| 1.2.2 Studies on Terry Eagleton | 第12-14页 |
| 1.2.3 Studies on Saint Oscar | 第14-16页 |
| 1.3 Research Methodology | 第16-18页 |
| 1.4 Research Purpose and Significance | 第18页 |
| 1.5 Organization of the Thesis | 第18-20页 |
| CHAPTER TWO IDENTITY DILEMMA IN EXILED IRISH WRITERS | 第20-29页 |
| 2.1 Communication of Exiled Irish Writers | 第20-25页 |
| 2.1.1 Integration into English Literature | 第21-23页 |
| 2.1.2 Stepping into European Cosmopolitanism | 第23-25页 |
| 2.2 Acceptance of Wilde as an Exiled Irish Writer | 第25-29页 |
| CHAPTER THREE PORTRAITS OF OSCAR WILDE | 第29-42页 |
| 3.1 Images of Wilde in Saint Oscar | 第29-35页 |
| 3.1.1 Hybridity in Nationality | 第30-32页 |
| 3.1.2 Hybridity in Social Identity | 第32-34页 |
| 3.1.3 Hybridity in Sexuality | 第34-35页 |
| 3.2 Saint Oscar and Ethics Scandal | 第35-42页 |
| 3.2.1 Irish Nationalist in Historical Representation | 第35-39页 |
| 3.2.2 Victim in Historical Representation | 第39-42页 |
| CHAPTER FOUR IDENTITY RECONSTRUCTION IN 80s | 第42-49页 |
| 4.1 Field Day Theatre Company | 第42-46页 |
| 4.1.1 Cultural Conflicts and Political Views | 第42-44页 |
| 4.1.2 Role of Saint Oscar | 第44-46页 |
| 4.2 The Shaping of Irish Identity | 第46-49页 |
| 4.2.1 Establishment of Exiled Irish Writers | 第46-48页 |
| 4.2.2 Recognition of the Irish Cultural Identity | 第48-49页 |
| CHAPTER FIVE CONCLUSION | 第49-52页 |
| 5.1 Findings of the Thesis | 第49-51页 |
| 5.2 Limitations of the Present Study | 第51-52页 |
| BIBLIOGRAPHY | 第52-57页 |
| ACKNOWLEDGEMENTS | 第57-58页 |
| PAPER(S) PUBLISHED DURING MA STUDIES | 第58页 |
