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走出时空碎片和叙事迷宫--托马斯·品钦《V.》之叙事学解读

Abstract第6-7页
摘要第8-9页
1. Introduction第9-12页
    1.1 Introduction to the Present Study第9-10页
    1.2 Objectives of the Present Study第10-11页
    1.3 Significance of the Present Study第11页
    1.4 A Brief of Each Chapter第11-12页
2. Literature Review第12-16页
    2.1 Related Studies concerning Pynchon’s Works, including V第12-14页
    2.2 Research Questions第14-16页
3. Theoretic Basis第16-30页
    3.1 General Introduction to Narratology第16-17页
    3.2 Narrator第17-19页
        3.2.1 Classification of Narrators第17-18页
        3.2.2 Functions of Narrators第18页
        3.2.3 Unreliable Narrator第18-19页
    3.3 Focalization第19-20页
        3.3.1 Focalizor第20页
        3.3.2 Focalized Objects第20页
    3.4 Narrative Time第20-25页
        3.4.1 Temporal Order in a Narrative Work第21-22页
        3.4.2 Duration in a narrative work第22-25页
    3.5 Narrative Space第25-26页
        3.5.1 Spatial Aspects第25-26页
        3.5.2 Content and Function of Spatial Narrative第26页
    3.6 Entropy and Its Value in Post-modern Literary Criticism第26-30页
        3.6.1 Introduction to Entropy第26-27页
        3.6.2 Origins and Uses第27-30页
4. The Narratological Interpretation of Thomas Pynchon’s V第30-60页
    4.1 Narrators in V第30-32页
    4.2 Focalization in V第32-37页
        4.2.1 Focalizors in V第32-34页
        4.2.2 Focalized Objects in V.第34-37页
    4.3 The Narrative Time in V第37-43页
        4.3.1 The Temporal Order of V第37-38页
        4.3.2 Durations in V.第38-43页
    4.4 The Narrative Space in V第43-57页
        4.4.1 Incarnate Space, its Forms and Functions第44-47页
        4.4.2 Illusory Space: its Forms and functions第47-50页
        4.4.3 Text Space: its Forms and Functions第50-57页
    4.5 The Entropic Theme Revealed in the Narrative Techniques第57-60页
5 Conclusion第60-62页
    5.1 Summary of the Present Study第60页
    5.2 The Meaning of Studying Pynchon’s works and the enlightenment for studying other post-modern works第60-61页
    5.3 Limitations of the Study第61页
    5.4 Scope for Further Research第61-62页
References第62-65页
Acknowledgements第65页

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