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叩问进步--论福克纳穷白人三部曲中的商品化与异化

摘要第4-7页
Abstract第7-10页
Acknowledgement第11-12页
Abbreviations第12-13页
Introduction第13-36页
ChapterⅠ Commercialism and Commodification in The Hamlet第36-86页
    1. A Preference of Commerce to Farming第39-51页
    2. A Termination of Credit Business第51-68页
    3. A Consumption Carnival in the Auction of Spotted Horses第68-76页
    4. Commodification of a Popular Southern Myth第76-86页
ChapterⅡ Alienation of Interpersonal Relationships in The Town第86-128页
    1. Commodification and Alienation of Marriage and Female Body第90-110页
    2. Commodification and Alienation of Paternal Roles and Respectability第110-120页
    3. Commodification of Corpse and Lust第120-128页
Chapter Ⅲ Resistance to Commodification and Alienation in The Mansion第128-169页
    1. Resistance by Mink's Affirmation of Dignity and Consanguinity第130-151页
    2. Resistance by Linda's Deracination第151-169页
ChapterⅣ Poor Whites as an Allegory第169-183页
    1. A Legacy of Stereotypical Poor Whites第174-176页
    2. Faulkner's Contribution to a Varied Discourse on Poor Whites第176-183页
Conclusion第183-187页
References第187-202页

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