| Acknowledgments | 第1-5页 |
| 摘要 | 第5-8页 |
| Abstract | 第8-12页 |
| Introduction | 第12-25页 |
| Chapter One Cultural Integration of Jewish Ethics and Western Aesthetics: Dual Identities | 第25-57页 |
| ·Ozick as American Jewish Writer | 第26-34页 |
| ·The Defender and Redeemer: The Double in The Puttermesser Papers | 第34-47页 |
| ·The Creator and The Created: The Double in The Messiah of Stockholm | 第47-57页 |
| Chapter Two Cultural Integration of Jewish Ethics and Western Aesthetics: Ethical Imagination in Ozick’s Fiction | 第57-90页 |
| ·Idolatry and Imagination in Ozick’s Essays and Stories | 第58-66页 |
| ·Ethical Imagination in Puttermesser and Xanthippe | 第66-78页 |
| ·Ethical Imagination in Levitation | 第78-90页 |
| Chapter Three Cultural Integration of Jewish Ethics and Western Aesthetics:Words as the Cure of Persecution and Pain | 第90-119页 |
| ·Rosa’s Letter-Writing in the Shawl | 第91-101页 |
| ·Recitation of the Jewish History in Bloodshed | 第101-107页 |
| ·Telling and Writing in Ozick’s other stories | 第107-119页 |
| Conclusion | 第119-126页 |
| Notes | 第126-130页 |
| Bibliography | 第130-137页 |
