| ACKNOWLEDGEMENT | 第1-7页 |
| 摘要 | 第7-9页 |
| CHAPTER ONE INTRODUCTION | 第9-23页 |
| ·The Relationship between Cultural Studies and Literary Studies | 第11-18页 |
| ·Literature Review and Significance of the Thesis | 第18-23页 |
| CHAPTER TWO GAZE AND VISUAL IDEOLOGY | 第23-37页 |
| ·Gaze:the Coded Sign | 第24-29页 |
| ·Under the Dominant Gaze:True or False Representation | 第29-34页 |
| ·The Oppositional Gaze:Dethroning "Otherized" Representation | 第34-37页 |
| CHAPTER THREE GAZE AS FOCALIZATION | 第37-49页 |
| ·Gaze as Focalization | 第38-44页 |
| ·Gaze as Motivation of Narratives | 第44-49页 |
| CHAPTER FOUR GAZE,FOCALIZATION AND IDENTIFICATION | 第49-59页 |
| ·From Focalization to Positionality | 第50-55页 |
| ·The Reader's Identification | 第55-59页 |
| CHAPTER FIVE CONCLUSION | 第59-62页 |
| WORKS CITED | 第62-64页 |
